Slave Trade, 1791
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'Slave Trade, 1791'Engraving by JR Smith after a painting by G Morland, 1788 Morland's painting was produced and then distributed as a print, in support of the abolition campaign. It is a complicated composition which makes use of contrasting emotions to achieve its effects. Within the painting, individuals and their emotional reactions are set in juxtaposition. The misery of the African man in the boat contrasts with the callous attitude of the slaver behind him; the distress of the African child is contrasted with the indifference of the boy sailor etc. All these contrasts were intended to question the inhumanityof the slave trade.
Credit/copyright: © Museum of London
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The Zong
On 19 March 1783, the African Olaudah Equiano called on anti-slavery campaigner Granville Sharp (see Campaign for abolition) with news of an event. Read more...
Hull
The city of Kingston upon Hull has a centuries-old sea-faring commercial history, but its location on the east coast of England ensured that its commerce was shaped by maritime links to Europe. Read more...
Liverpool
Bristol continued its involvement in the slave trade until abolition but in decreasing numbers in the late 18th and early 19th centuries. Read more...
London
Although London would eventually be eclipsed by Bristol and Liverpool as a slave-trading port, its involvement in the trade was both longer...Read more..
Bristol
When the Royal African Company was founded in 1672, it was given a monopoly over the British slave trade. Read more..
